Of all the OTG operas, this one was the most challenging, both in its subject matter and the level of accuracy required of the singers. Kudos to Carla, Jess, Keith, and Calvin for adjusting so quickly and with great vocal precision to an unfamiliar electronic style that packs a huge emotional punch in an opera that goes to a place most of us would rather not think about.
The Translator
Libretto by Leanna Brodie
Music By David Ogborn
Video by Jarek Obsadny
Alessandra Jensen (mezzo soprano)
Crane (baritone)
Man (soprano)
Woman (tenor)
This work is written for voices and live electronics controlled via laptop by David Ogborn.
At a CIA black site, Alessandra Jensen translates the words of suspected terrorists from Pashtun to English as they are tortured by US forces in order to obtain information. At the beginning of the opera, she is translating a male teenager in obvious distress (offstage, recorded voices). She then watches a group of men pleading for mercy as they are being waterboarded (also via recorded voices offstage). She videotapes the scene with her cellphone and posts it to the internet. A radio announcer states that the White House has declared that the footage, which shows the torture and even possible death of detainees at the hands of US forces, is a hoax.
Alessandra is next seen being lectured by Crane, an officer, about the morally ambiguous world she is forced to inhabit. Crane makes the case that the US is merely trying to win the war, and if they need to bend the rules of engagement, so be it. Alessandra interjects that she has just watched a child die, chanting the poetry of Rahman Baba as he suffered. She rejects his world-view and is sent back to her quarters, where she is visited by a Man and a Woman, representing ordinary Americans who talk to her about fear, the desire for security, manifest destiny, the disappearance of jobs and health care, rising debt, etc. Alessandra is tormented by these voices and eventually decides to commit suicide by hanging while her cellphone is videotaping. As she walks offstage to her doom, a radio voice states that a spokesman for the White House has declared that the videotape of Alessandra Jensen hanging herself is a hoax.
Opera To Go 2008 runs through February 23rd at the EnWave Theatre in Toronto as part of the Harbourfront Centre's World Stage 08.
Showing posts with label Leanna Brodie. Show all posts
Showing posts with label Leanna Brodie. Show all posts
Monday, February 18, 2008
Sunday, February 17, 2008
Opera To Go 2008: She sees her lover in the light of morning
A story about an unexpected encounter and innocence rediscovered...
She sees her lover in the light of morning
Libretto by Leanna Brodie
Music by Craig Galbraith
Characters:
Agnieska (soprano)
Sumana (mezzo soprano)
Scene 1. Agnieska, a thirty-something graduate student, brings Sumana, a much younger undergraduate, back to her apartment after having met in a bar. Sumana energetically admires the book-filled apartment, while Agnieska remains silent. While Sumana is in the bathroom, talking constantly, Agnieska finally breaks her silence and sings the names of her former lovers, all of whom she parted from on bad terms. When Sumana returns, Agnieska is reluctant to make any advances on Sumana, fully aware of what the consequences of her past relationships have been, but Sumana finally convinces her of how important this moment is to her, and they kiss.
Scene 2. The next morning. Sumana is still asleep and Agnieska returns, having left to make coffee. Agnieska sings an aria about how Sumana has brought her happiness, although unaware yet of just how painful love can be. Sumana wakes, and the two sing a duet, at the end of which the two are moved to laughter, and collapse into each other's arms.
Opera To Go 2008 runs through February 23rd at the EnWave Theatre in Toronto as part of the Harbourfront Centre's World Stage 08.
She sees her lover in the light of morning
Libretto by Leanna Brodie
Music by Craig Galbraith
Characters:
Agnieska (soprano)
Sumana (mezzo soprano)
Scene 1. Agnieska, a thirty-something graduate student, brings Sumana, a much younger undergraduate, back to her apartment after having met in a bar. Sumana energetically admires the book-filled apartment, while Agnieska remains silent. While Sumana is in the bathroom, talking constantly, Agnieska finally breaks her silence and sings the names of her former lovers, all of whom she parted from on bad terms. When Sumana returns, Agnieska is reluctant to make any advances on Sumana, fully aware of what the consequences of her past relationships have been, but Sumana finally convinces her of how important this moment is to her, and they kiss.
Scene 2. The next morning. Sumana is still asleep and Agnieska returns, having left to make coffee. Agnieska sings an aria about how Sumana has brought her happiness, although unaware yet of just how painful love can be. Sumana wakes, and the two sing a duet, at the end of which the two are moved to laughter, and collapse into each other's arms.
Opera To Go 2008 runs through February 23rd at the EnWave Theatre in Toronto as part of the Harbourfront Centre's World Stage 08.
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